Everyone you love, in one painting.

1920s Die-Cut Party Decoration

The flat orange-and-black paper decorations of a 1920s parlour party.

Black-Cat Folk Art

Naive New England folk painting — arched cats, a fat moon, a crooked fence.

Candy-Corn Pop

Screen-printed pop art in candy-corn stripes — sweet, loud, kind.

Jack-o'-Lantern Realism

Cosy October night — a porch of carved pumpkins, one warm glow.

Trick-or-Treat Illustration

Golden-age children's-book illustration — lanterns, leaves, a bag of sweets.

Witch's Cottage Gouache

A snug, moss-roofed cottage of potions and candles — cosy, not creepy.

Porch-Light Family Portrait

A 1950s magazine cover on Halloween night — costumes, the porch lamp, the bowl held out.

Pumpkin-Patch Afternoon

Golden October light, a field of pumpkins, hay wagons — painted the American Impressionist way.

Victorian Paper Theatre

A toy-theatre stage of cut paper — the subject on the boards, a cardboard moon above.

Harvest-Party Genre Scene

A nineteenth-century genre painting — the barn party, the apple tub, lantern light on every face.

Black-Cat Costume Parade

A children's-book parade — everyone in costume, marching down Main Street with a black cat leading.

Harvest-Moon Cornfield

Regionalist oil — a full harvest moon over corn shocks, a scarecrow, the subject in the lane.

Scherenschnitte Silhouette

German-American paper-cutting — one sheet of black paper, cut into the subject and a Halloween border.

Cider-Mill Watercolour

A New England cider mill in October — transparent watercolour, apples in crates, steam from the press.

LED Porch Realism

Halloween as it actually looks now — LED string lights, an inflatable on the lawn, a minivan in the drive.

Graphic-Novel Ink

Heavy modern ink, halftone shadow, one spot colour — a page from a contemporary graphic novel.

Cut-Paper Diorama

Layered paper cut by hand and lit from the side — a contemporary craft diorama.

Feature-Animation Still

A frame from a modern animated feature — clean line, lit volumes, autumn palette.

Two-Colour Riso

Fluorescent orange and black on newsprint — a modern risograph gig-poster print.

Crosshatched Storybook Macabre

Pen-and-ink Edwardian gloom with a dry wit — the gothic nursery.

1930s Monster-Movie Lobby Card

Hand-tinted studio horror poster — fog, castle, lightning, one dramatic face.

Victorian Spirit Photograph

A sepia cabinet card with a faint translucent visitor in the background.

Sleepy Hollow Nocturne

Hudson River School moonlight — covered bridge, mist, a headless silhouette far off.

1950s Horror-Comic Cover

Four-colour pulp cover — ben-day dots, a screaming green sky, a wink.

Haunted-House Matte Painting

Cinematic matte-painted mansion on a hill — every window lit, one storm.

Ghost-Story Tintype

A wet-plate tintype at dusk — silver and sepia, a lantern, a grave sense of occasion, not fear.

Gaslamp Fog Nocturne

A Whistler-style nocturne — fog, one gaslamp, the subject a warm figure in a blue-grey night.

Hollow-Tree Storybook

A Rackham-style storybook plate — gnarled trees with faces, owls, the subject brave in the lantern glow.

Masquerade Ballroom

A candlelit masquerade in an old mansion — velvet, gilt, half-masks held on sticks, a chandelier.

Neon Street Nocturne

A wet city street after dark — neon signage, sodium light, long reflections.

Magazine-Cover Americana

The 1940s Saturday Evening Post cover tradition — a table, a turkey, a story.

Currier & Ives Homestead

Hand-coloured lithograph — the farmhouse, the sleigh, the return home.

American Folk Harvest

Naive farm-scene painting — pumpkin wagons, corn shocks, a whole busy valley.

Farmhouse Egg Tempera

Dry-brush tempera realism — weathered board, a window, still November light.

Hudson River Autumn

Luminous landscape oil — blazing maples, a still lake, cathedral light.

Dutch Harvest Still Life

Seventeenth-century abundance — pheasant, grapes, pewter, a single candle.

Regionalist Harvest Mural

Grant Wood rolling fields — rounded haystacks, patterned rows, clean light.

Pennsylvania Dutch Fraktur

Illuminated folk certificate — tulips, distelfinks, hearts, a harvest border.

Harvest Quilt Block

Pieced-cotton patchwork — the subject stitched into a maple-leaf quilt.

Vermont Woodcut

Two-colour woodblock print — barn, birches, geese, a cider press.

Homer Autumn Watercolour

Winslow Homer transparent washes — Adirondack lake, guide boat, red leaves.

Pilgrim-Era Dutch Portrait

A 1620s Leiden portrait — black cloth, white collar, one candle, one pumpkin.

Saying Grace

The whole table, heads about to bow — a magazine-cover moment of a full house at dinner.

Kitchen-Steam Interior

A Dutch-lit kitchen — pots steaming, a window, the family crowding in to help and taste.

Leaf-Pile Afternoon

Golden light, a raked pile of maple leaves, the subject mid-laugh — painted in loose American oil.

Brandywine Farm Field

The Brandywine tradition — a dry stubble field, a weathered barn, the subject standing in thin winter light.

Backyard Football

The Thanksgiving game on the lawn — sweaters, a leather ball, a mid-century sporting-cover style.

Carving the Bird

The carving moment at the head of the table — a Currier & Ives print, hand-coloured.

Needlework Sampler

A cross-stitch sampler — the subject in tiny stitches, a border of turkeys, pumpkins and wheat.

Coming Home for Thanksgiving

The homecoming on a small-town platform — steam, suitcases, the embrace, a 1940s illustration.

Hearthside After Dinner

The fire lit, plates cleared, everyone sunk into chairs — a tonalist oil in amber and brown.

First-Harvest Tapestry

A woven tapestry — the subject at a long outdoor harvest table, seventeenth-century in dress and weave.

The Pie Table

A Chardin-quiet still life with the subject behind the pies — pumpkin, pecan, apple, one candle.

The Road Home

A station-wagon on a country road under November trees — the drive home, in a warm 1950s poster style.

Kitchen Documentary

The hour before dinner, painted straight — steam, counter clutter, everyone in the way.

Flat Editorial Vector

The magazine feature illustration of now — flat shapes, limited palette, generous white.

Three-Colour Riso Harvest

Rust, mustard and blue on rough stock — a modern risograph harvest print.

Backyard Golden Hour

The football game on the lawn at four o'clock, painted in late modern light.

Modern Quilt Geometry

Improv piecing in solid cottons — the contemporary quilt tradition, not the sampler.

Table, Lit by Phones

The group photo someone is always taking — modern interior realism, mixed light.

Magazine-Cover Christmas

The 1940s magazine-cover tradition — a tree, a fireside, a story.

Nast Harper's Engraving

Thomas Nast's wood-engraved Christmas — holly, a hearth, the first Santa's workshop.

Currier & Ives Sleigh Ride

Hand-coloured lithograph — sleigh bells, a snowy village, chimneys smoking.

Saint Nicholas Fireside

The old midnight-visit painting — his lamp, his red, his sack of wooden toys, and not a soul awake but you.

Victorian Christmas Card

A chromolithograph greeting card — robins, holly, gilt scallops, a frosted window.

Dickens Illustration

Pen, ink and watercolour London — snow, gaslight, a goose in the window.

Nutcracker Stage

A painted ballet set — the Land of Sweets, snowflakes, footlights.

Nordic Tomte Folk Art

Scandinavian folk painting — red cottage, snow, gnomes, straw goats, candle wreaths.

Cathedral Stained Glass

Leaded medieval glass — deep ruby and cobalt, a star, light pouring through.

Avercamp Winter Scene

Dutch Golden Age ice — skaters, windmills, a frozen canal, a pale sky.

Gingerbread House

Royal icing, gumdrops, peppermint — a baked and frosted world.

Luminous Cottage Glow

A snowbound stone cottage, every window lit — the light-filled painting tradition.

Christmas-Morning Cover

The tree, the paper flying, the dog in the ribbons — the magazine-cover moment everyone remembers.

Carollers at the Door

Lanterns, songbooks, snow on the shoulders — a Victorian carolling scene at a lit front door.

Village Skating Pond

An American naive folk-art scene — the frozen pond, the sleighs, the whole village out.

Advent-Calendar Window

The subject framed in an opened advent window — paper snow, glitter, a German paper-craft tradition.

Winter Hunters' Landscape

The Bruegel winter — a high view over a snowed village, the subject in the foreground with the dog.

Tin-Toy Christmas

A 1930s lithographed tin-toy look — the subject as a painted-tin tableau with a wind-up key.

Midnight-Mass Doorway

Snow, candlelight, the church door open — a nocturne in blue and gold.

Gingerbread-Kitchen Cover

Flour on noses, icing bags, the gingerbread house half-built — a bright mid-century cover.

Snow-Globe Scene

The subject inside a glass snow globe — a tiny lit cottage, falling flakes, a carved wooden base.

Lit Window at Night

A quiet American-realist night scene — one warm window, the subject inside, snow on the street.

Stable Lantern Scene

A lantern-lit barn on Christmas Eve — hay, warm animals, the subject in the straw-gold light.

Yule-Log Hall

A medieval great hall — the yule log, holly and ivy, the subject at the feast in illuminated colour.

Nordic Minimal

Pale wood, one paper star, snow light — the contemporary Scandinavian Christmas.

Animated Holiday Special

A frame from a modern animated Christmas special — clean line, warm lit volumes.

Lit Window, From Outside

The house from the sidewalk after dark — cold blue snow, one warm window.

Papercut Lightbox

Layered white paper lit from behind — a contemporary craft lightbox.

Holiday Editorial Vector

The modern holiday feature illustration — flat shapes, three colours, real air.

Christmas Morning Realism

Six a.m., pyjamas, paper everywhere — painted exactly as the morning looks now.

Art Deco Gala

Gilded 1925 geometry — sunburst, black lacquer, a champagne tower.

Leyendecker New Year Cover

J.C. Leyendecker's crisp cover brushwork — top hat, streamers, the stroke of twelve.

Klimt Midnight Gold

Gold-leaf mosaic against a deep-blue midnight — spirals, stars, a kiss of champagne.

Whistler Fireworks Nocturne

A smoky blue nocturne — falling rockets over black water, the way Whistler saw it.

Mid-Century Cocktail Illustration

Fifties gouache advertising — coupe glasses, starbursts, tuxedo black.

Barbier Fashion Plate

A 1920s pochoir plate in the manner of George Barbier — silk, fur, a masked ball.

Bauhaus Poster

Primary geometry — circle, bar, diagonal, one red, the new year as a design.

Nightclub Line Drawing

One flowing ink line, a Broadway nightclub, a few flat spots of colour.

First Sunrise

The Japanese hatsuhinode — a red sun over the sea, cranes, a woodblock dawn.

Hogmanay Hearth

A Scottish New Year — tartan, a peat fire, a dram, a lump of coal on the step.

Sargent Evening Portrait

Bravura society oil — black velvet, one candle, silver reflected in the brush.

Confetti Risograph

Two-colour riso print — fluorescent pink and midnight blue, a storm of confetti.

Kitchen Countdown

Pots as drums, a clock near twelve, the whole family up past bedtime — a warm mid-century cover.

Grand-Hotel Ballroom

A 1920s hotel ballroom at midnight — balloons falling, a big band, black tie and sequins.

Snowfield Fireworks

Fireworks over a snowy field — sparklers in hand, breath in the cold, a nocturne in blue and gold.

First-Snow Woodblock

A Hiroshige-style ukiyo-e print — New Year's morning, first snow, pine and plum at the gate.

Belle-Époque Champagne Poster

A Mucha-tradition poster — the subject in a halo of gold and ivy, bubbles rising, a mosaic border.

City Midnight Crowd

Confetti and light in a city square at midnight — a 1950s painterly reportage illustration.

Resolutions Ledger

A Victorian engraved ledger page — the subject at a writing desk, quill up, a blank list of resolutions.

Fireside Toast

Glasses raised by the fire at midnight — a Sargent-warm interior, velvet, candle and firelight.

Torchlight Procession

A Scottish torchlight procession — tartan, fire, pipers, the subject carrying a torch through the snow.

Lantern-Festival Gouache

Red paper lanterns and gold paper-cuts for the new year — bright gouache in the Chinese folk tradition.

Balcony at Midnight

A city balcony as the clock strikes — champagne, a cityscape of fireworks, an Art Deco nocturne.

Turning the Calendar

The old calendar coming down, the new one going up — a warm domestic mid-century illustration.

Rooftop at Midnight

A city rooftop as it goes off — modern realism, cold air, warm coats.

Confetti Vector

Flat modern party graphics — bold shapes, confetti as geometry, no gradients.

Neon Countdown

Lit by a screen and a neon sign — a modern nocturne, no clock face.

Cut-and-Paste Collage

Torn magazine paper, tape and gouache — a contemporary collage.

Line and Wash

One ink line, one wash — the modern reportage sketch, done fast and sure.

First Morning Realism

January first, late light, the room still full — modern interior realism.